tea tray

On Mornings

[caption id="attachment_178" align="alignleft" width="300"]tea tray My daily tea[/caption] I am not a morning person. I often don’t sleep well or enough, and frequently wake up feeling exhausted, unwell, or in pain. Yet I’ve settled into a daily a.m. routine that not only reconciles me to waking up but reminds me pointedly of my blessings before leaving me blissfully alone to work. One day I’ll look back on these mornings with fondness, which I guess makes this post an exercise in prospective nostalgia. Waking begins, at least in these cooler months, by fumbling about for my Japanese hanten, a quilted, hip-length, kimono-style jacket. If I can just find it and put it on first thing, getting out of bed doesn’t seem so ghastly. I’ve owned a hanten since my early 20s. My current one was a 40th birthday present from my mother and would be one of the first things I grabbed if the house were falling down and my family was already safely outside. ...
Hedgebrook, cottage

Anxiety of influence be damned; or, musings from my residency (part 1)

[caption id="attachment_159" align="alignleft" width="300"]Hedgebrook, cottage my reading chair at Hedgebrook[/caption] Three weeks ago I returned from a four-week stay at Hedgebrook, a retreat for women writers on gorgeous Whidbey Island in Puget Sound. This morning I started a blog post to reflect on my experiences there, but it grew so unreadably and Internet-inappropriately long that I've ditched it and opted to share my ideas in smaller installments over the next weeks and months. First up, some thoughts on writers and their relationship to reading. We all know that writing begets writing, and boy, did I ever live that at Hedgebrook. The more I wrote, the more I had to write about, the more I wanted to write, and the more mental energy I had for writing (physical energy was a different matter -- and may be the subject of a future blog post). But I also believe that reading begets writing. ...

Ready or not: residency!

Tomorrow I leave home to attend a writers residency. I'm lucky to have this opportunity -- four weeks in a beautiful place where I'm put up and fed and allowed to work. I'm grateful for the solitude and the time I'll have there as well as for the support of my spouse and kids, who'll be spending the rest of their summer without me. God, am I going to miss them. Today I'm packing. I've probably given more thought to the books I'm taking than to clothes. Here's my portable library for the next five weeks: ...

What’s With All the Fiction Titles That Begin With “What”?

My lovely and gifted friend Cora Stryker recently asked me to read the novel she just completed. It's a compelling post-apocalypse story set in San Francisco, and I hope you all get to read it soon. It's called Raven's Manzanita, which is a hopelessly endangered real-life plant that figures both literally and metaphorically in the novel. A great title, I thought, but then Cora e-mailed to ask me what I thought of a new title she was considering: What The City Was. Please don’t, I wrote back. ...

20 Under 40 Angst

Last week The New Yorker announced its “20 under 40” list of the most promising American fiction writers under the age of 40, and the only people who seem to be happy are the 20 people who made it onto the list and their agents. The unhappiest folks are probably the writers who were short-listed but didn’t make the final cut. And then the writers under 40 who weren’t even considered. And then maybe the writers—Colson Whitehead is most often mentioned in this regard, although to judge from his prolific “tweeting” he’s taking the blow pretty much in stride—who didn’t make the New Yorker’s last list in 1999 but are just over the age cut-off this time. And then there’s the rest of us who weren’t in the running in any way, shape, or form, and still feel a little miserable about the whole thing. ...